Theory

The Chinese Garden as Cosmology

Explore in the Atlas →

The scholar's garden conceived as a bounded microcosm condensing mountains, water and sky into a spiritual landscape that resonates with universal patterns. Its signature technique, jie jing (borrowed scenery), incorporates distant views into the composition — codified in Ji Cheng's 1635 Yuanye as the essence of landscape design.

Fantasy Dwelling Ritual

Details

Introduced
1635

Classifications

Holder
Communal intergenerational
Source of authority
Revelation cosmology
Subject
More than human
Cosmological orientation
Axis mundi
Mode of transmission
Text drawingApprenticeship
Knowledge type
Relational embodied
Epistemic cluster
East asian

Connections

Referenced by

Sources

  1. Ji Cheng. Yuanye (The Craft of Gardens). (Ming dynasty manuscript), 1635.
  2. Alison Hardie (trans.). The Craft of Gardens (Yuanye by Ji Cheng). Yale University Press, 1988.

Cite this entry

First published May 2026Last revised Jul 2026

CLAD. "The Chinese Garden as Cosmology." Atlas of Architectural Thought. CLAD, 2026. https://www.cl-ad.com.au/research/atlas/theory/chinese-garden-cosmology/. Accessed July 17, 2026.