Theorist

Walter Benjamin

1892–1940 Cultural theory / critical theory
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Details

Nationality
German

Classifications

Holder
Individual
Source of authority
ReasonLived experience
Subject
Human centred
Political position
Subaltern resistant
Mode of transmission
Text drawing
Knowledge type
Propositional
Epistemic cluster
Western philosophical

Notes

Point of reference for Tafuri; in 'The Work of Art' (1936), scrutinized artistic autonomy as a relic of prehistoric ritual surviving in the bourgeois auratic artwork, contrasting it with reproduced artifacts' (photo, film, architecture) collective, distracted reception; architecture is the 'prototype' of 'tactile' (vs. 'optical') reception, replacing 'cult value' with 'exhibition value'.

Connections

Sources

  1. Walter Benjamin. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. 1935.
  2. in Crysler, Cairns & Heynen (eds), The SAGE Handbook of Architectural Theory, SAGE, 2012 — export p. 12-13 of 20
  3. in Crysler, Cairns & Heynen (eds), The SAGE Handbook of Architectural Theory, SAGE, 2012 — export p. 16-17 of 19

Cite this entry

First published May 2026Last revised Jul 2026

CLAD. "Walter Benjamin." Atlas of Architectural Thought. CLAD, 2026. https://www.cl-ad.com.au/research/atlas/theorist/walter-benjamin/. Accessed July 17, 2026.